This divine debut from art critic and academic James Cahill is the smart, sexy read you need in 2022. Expect to see it on prize lists as well as Instagram feeds. The novels protagonist is Professor Don Lamb, a precocious but prematurely stuffy art historian and Cambridge don, who likes measuring the skies in the paintings of Venetian master Tiepolo. Lamb takes preternatural offence when a Tracey Emin-esque bed sculpture is installed outside his college lodgings, and departs to London in a sulk for a new museum gig. There awaits a new kind of awakening - and its not just because the YBAs are taking off. Not only an addictive pageturner, Cahills book taps into the tensions and suspicions between generations that feels incredibly relevant for our testy times. ― Evening Standard. Bringing together the Italian masters and the Young British Artists, this is a debut that looks at art, power, academia, and the potential of the urban setting at the end of the 20th century. ― Dazed.com The story of Tiepolo Blue and its people have invaded my dreams...something in the way Cahill puts the reader in Don Lambs shoes does (or has done in my case) extraordinary things. I blushed and howled warnings and wanted to slap, cajole, hug, disown, disavow and walk away from him. His life will look so squalid and pathetic from the outside, but Cahill takes us inside and we somehow respect and love him. This is the best novel I have read for ages. It is so beautifully written, not a false note in any sentence. Cahills presentation of the agonising clash of aesthetics, of culture, of generations... its just masterly. Dons disintegration is painful to read, but it all grips you like a thriller. My heart was constantly in my throat as I read... There is so much to enjoy, to contemplate, to wonder at, and to be lost in. -- Stephen Fry. The spirit of E.M. Forster is alive and well in James Cahill. The same palpating of damaged moral tissue, the same psychological canniness, the same gently invoked erudition, the same exactitude and eloquence - except Cahill is able to explore forbidden themes that Forster feared to touch on except posthumously -- Edmund White
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