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Ludwig van Beethoven Sonatas for Pianoforte and Violin Volume I + Volume II (Komplet). Zvlášť party pro housle + klavírní výtah.
The new Bärenreiter Urtext edition of Beethovens Violin Sonatas takes a somewhat different approach towards the production of a source-critical edition than the conventional Urtext. Nineteenth-century composers viewed notation quite differently from 20th and 21st-century musicians. Much more was expected to be implicit in the notation, on the basis of well-understood performance conventions, than is the case today. Some signs, such as staccato marks, had multiple meanings, depending on context, and the absence of slurs did not necessarily indicate the absence of legato. Despite Beethovens more extensive employment of performance markings than many of his contemporaries, he did not mark things with anything like the care expected of a modern editor and often failed to resolve ambiguities in copyists scores and engravers proofs.
This edition aims to provide much more guidance as to the performance implications of Beethovens notation, both in the musical text, through editorial markings and Critical Report, and also in a Performing Practice Commentary.
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